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Argentine Cinema: Crisis or opportunity (for a few)

Today he walked the aisles of Training Center SICA, where he studied for quite some time, and I found this statement on the billboard:

Buenos Aires, November 16, 2007

Dr. Cristina Fernandez de Kirchner
President-elect of the Argentine
S / D

Ref: REQUEST FOR HEARING

De

our further consideration:

film

People who sign this augur that causes a necessary management relaunch Film Industry Argentina, purpose for which, again, without hesitation, we find his close working towards achieving the expected momentum.

We would, therefore, to convey our voice alarm at the turn events have taken filmmaking.

In recent times, and slowly, the quality of our movies and responsiveness in the Argentine public has been declining in almost all variables. Despite the repeated suggestions and warnings from various sectors of industry , INCAA has become a large bureaucracy in a state of inaction, which seems unable even to recognize the serious crisis affecting.

We think it's time for a change of direction and finally, having a management consistent with the general desire for growth and consolidation of our industry. Relying on the artistic quality of our people and the transparency of good governance, to protect historical and young authors. To which we believe is necessary to have in front of INCAA a President, who is respected by all, appropriate and representative, as well as he is the holder of a recognized history in the local cinema.

would be more favorable for people who, every day we have to work for our cinema, an organization film production where it is not permanently dam of a bureaucratic tangle of conflicting decisions , but an institute of modern management-oriented, fast and efficient thus facilitating the realization of the benefits of the law for film and audiovisual production, creating better jobs.

We deeply Film Policy that aims at the recovery of the Argentine public and our natural audience film and also causes increased penetration in international markets, where quality of our cinema weigh more, that only "striking number of films produced annually." Make more movies today, it is clear not to make better movies.

is legitimate INCAA pretend that is not a prisoner of the loopholes that have created occasional technical and administrators, thus becoming lawyers and accountants in sporadic producers at the expense not only of the artistic quality of the film projects, but also causing the virtual disappearance of industrial films and auteur cinema in favor of the already well established "cinema manager." Which has determined a dangerous mismanagement and the lack of a film intended to generate a strong industry.

We fought a lot of us at the Argentine cinema: directors, producers, actors, technicians, musicians and extras for a law to make possible the sustainability of our film history, so now we sit idly by while to detract from his spirit, in profits of a few strangers, or friends of the driving shift.

We urgently need a more effective promotion system with more transparent quality competitions , avoiding the waste of our real resources, as well as operating the "share" on television, with the contribution of the same, be better films that garner public attention again Argentina is now lost.

We have seen that, despite our concern and the papers submitted by the entities that represent us before the Inca towards solving the problem described, which also form only a part of the picture of the situation that afflicts us and certainly tends to worsen, we have not even heard let alone understood.

We signed

this, hoping that Mrs. President, elected by all Argentines, we listen and understand, for which we are at your disposal, to the urgent need for change.

Without more, the

Yours faithfully

ARGENTINE FILM DIRECTORS (DAC)
P / Steering Committee
Carlos Galettini - President

UNION FILM INDUSTRY ARGENTINA (SICA)
P / Steering Committee
Luis A. Colaso \u200b\u200b- Secretary General

SINGLE WORKERS UNION PUBLIC SHOW (SUTEP)
P / Steering Committee
Miguel Paniagua - Secretary General

Argentine Union of Musicians (SADEM)
P / Steering Committee
Joseph Giaimo - Director General

Mmmm ... to see: in general one agrees with questions, common sense, good faith would all like it that way: that Argentine cinema has a greater drawing power, the president of INCAA be someone respected and representative of all sectors, the share of display is updated and enforced. Ok. What gives me some miedito are phrases like "We think it's time for a change of direction ..."¿ sounds like, in the worst sense, too much union, right? I mean, a good editor soon musicalizaría the moment with a faded ...

I learn also Other Cinemas already a few days after this letter is brothel door, including a counterpoint between Juan José Campanella and Adolfo Aristarain. Campanella answered your guild out in defense of the current leaders of INCAA, saying among other things:

" request a policy law, paragraph, ordinance or municipal ordinance that seeks to bring back the audience to see Argentine cinema is not just an exercise in futility but it is also pathetic. "Please, Madam President, we are not able by ourselves to make a film worthwhile, can not you make a policy to force Argentines to swallow is the same?". The public will come back when we film we give films having the bare minimum to be of interest to someone with fifteen dollars in his pocket. No film in recent years has generated interest and quality at the same time, so that support for some of this variant would produced exactly the same result: the removal of the public ".

Speaking bad and soon, to me they are sent here to save. This is reality, past relationships, cronyism, political expediency or whatever, the theme is simple: to make people want to go to the movies, you have to make good films. Point.
Other associations, meanwhile, still do not know if a fine or coarse sense of opportunism, published their own press, as DOCA (Association of Argentine documentary) and the Independent Film Project, which brings together several young directors. About published this latest partnership, I must say that the points in common with the first release are many, but the tone is different and definitely much more clear and concrete, starting with the proposition of an Audiovisual Plan, defining bluntly what the current problems and without dye things of any political color:

Given the seriousness of the crisis being experienced by the Argentine cinema and taking into account that we are on the eve of a new year and a new national government on the verge of taking office , the CPI (Independent Film Project) considers it essential to take into account the following outstanding issues, an agenda for discussion in order to develop a Plan Audiovisual ensuring sustainable development of our film, in its artistic aspects, technical and production:

1. INCAA institutional standardization, through the establishment of the Advisory Council, the body responsible for approving or rejecting the budget and appoint the committees that provide the benefits of the law.

2. Total transparency of the management of INCAA in budget execution and Development Fund projects and producers reap the benefits of the law, through information updated periodically by the agency website.

3. Regulation and protection of Argentine cinema display and other media formats of national origin in cinemas, on television and other means of existing display, including the screen quota for the short film.

4. The amendment to the Film Promotion Act, to adapt to technological changes in recent years, both production and display, and allowing for a greater democratization and efficiency in the representation of different sectors in the areas of decision .

5. Greater creativity in systems development to production, that fit Different schemes to existing production, taking into account the alternative production schemes or "artisanal."

6. The creation of a National Film Center, which ensures the preservation of our film and research tasks.

7. Regularized system debuts competitions, TV movies, documentaries, short films, experimental films, independent films and animation to help all aesthetic and technical renewal of Argentine cinema.

8. More and better support from government agencies and private activities that tend to the development of film author, academic research, professional training and exhibition of quality international films in Argentina.

9. Building Exemption for tax breaks to film production, taking into account the cultural value of the activity.

10. A structural discussion on how to develop policies and infrastructure for disseminating and marketing of Argentine cinema abroad.

integrate the PCI (Independent Film Project) the following directors: Alejandro

Hartmann, Alejo Taube, Ana Katz, Andrés Di Tella, Andrew Tambornino, Ariel Rotter Baltazar Tokman, Benjamin Avila, Celina Murga, Daniel Rosenfeld, Daniela Goggi, Diego Lerman, Edgardo Cozarinsky, Enrique Bellande, Esteban Menis, Fernando Molnar, Gabriel Lichtmann, Jorge Gaggero, Juan Antin, Juan Villegas, Julia Solomonoff, Lorena Muñoz, Luciano Zito Maria Victoria Menis, Rejtman Martin, Mercedes Garcia Guevara, Pablo Giorgell, Pablo José Meza, Paula Hernandez, Pepe Salvia, Rodrigo Moreno, Rodrigo Moscoso, Salvador Roselli, Santiago Loza, Sergio Wolf, Tatiana Mereñuk, Ulises Rosell.

personally agree more, I would say totally, with this position than to the SICA and DAC. Now, we Realistic beyond the magazine El Amante and the organizers of BAFICI (quilombo in gate II), I ask: Who is going to give these kids ball?

Anyway.

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The key reserves the craft

If anything warranted cut with the dull but steady inactivity of this blog, is this recent publicity by Martin Scorsese Freixenet to .



Beyond sympathy for cinéphiles appointments, which I found remarkable is the role of music in this short. There is a very interesting game between the music that comes from the orchestra as part of what happens within the scene, and at the same time, its dramatic function as music off, out of sight. In terms of Michel Chion, French theorist who wrote about these issues, screen music and music pit :

"We will call to pit music that accompanies the image from an off position, outside the place and time of action. This term refers to the orchestra pit of opera classic.
call music screen, however, which emanates from a source directly or indirectly in the place and time action, although this source is a radio or scrub off the field. "

What is remarkable is that in this case the music is from the same source and fulfills both functions, constantly leaving and entering the scene and diegesis of the story. What's more, at a time unbelievable, a musician himself takes center stage playing his violin for the rest, and then transforming the same rope with which he played a murder weapon.

Then there are things that are significant and represent very well the Hitchcockian universe: The first sentences of Scorsese ( "The posters were like dreams, in the sense that invited you to dream: spend and dream this movie, the faces, color, movement ) and the documentary treatment of his story, the choice of a theater as a location of history and the interplay between the public stage and the stage, and the final taxed to Rear Window, but also by almost a declaration of principles which are the places the viewer and as a work of cinema itself.

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The mystique is intact. Whether dodging gunfire impossible or escaping brutal explosions, Bruce Willis zafar makes fart of not only their personal style more dramatic, but a Hollywood hero worship, as their historic character survives.
In Die Hard 4.0 John McClane faces the new century with its classic role of recurrent loser. As usual, a fortuitous circumstance puts in place unless specified. Old John, with his eternal cowboy picture of annoying, it's up to cope with a select group of hackers who suddenly and systematically begin to take control of the nation over the Internet. What can he know of hackers and computer networks? Nothing, of course. That's what your partner buddy Matt l Farre, McClane the logical opposite: young, nerdy and afraid. This perfectly balanced society passes a course full of situations -stunning action scenes of the tunnel and jet-truck chase, round out a good movie genre.
The idea of \u200b\u200btechnology as a form of threat is typical of American paranoia. The bad, suggestively called Gabriel, is an obsessive hacker who once said the terrorist apocalypse. Ignored, was fired from the same government where he worked and deleted from the system, and now is your chance for revenge. To his credit, his omnipotent power over the technology, which is enough to dominate the entire nation. Against him, of course: the craft McClane, who with the help of computer genius of his partner, struggles to put things back in order, leaving behind a parade of chaos and destruction designed to stimulate more than just popcorn consumption.

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McClane John Rambo, the perfect movie naked

As a child I imagined the perfect movie had to be something more or less like a type appears in the middle of a sort of war (well, without giving any kind of explanation) and has to kill them all.

End Well, looks like the new Rambo movie is on that side.



other words: child but effective.

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back on track with Half Naked, a British short film he had seen some months ago and reedescubrí on YouTube.

resolution I liked the whole story with only ideas visually, the short has no dialogue and is voiced with incidental music.

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Middle Of donuts and environmental disasters


Homer is too stupid: that's the lingering taste not only after seeing the movie of The Simpsons, but the common denominator of the last five or six seasons of the series. But the only thing. Because after all has an original grace and classic at the same time, however brief.

As the dynamics of its versions TV will always give parallel stories, in this sense the film is generous, opening a series of antagonisms that arise small dramas: Man vs. Environment, Father vs. Son, Wife vs. Spouse vs. State. People. And all against Homer. A Homer, again, is listed as the worst kind of idiot product of narcissistic selfishness, without looking that kind of stupidity good that you can install in that sort of creative madness and delirium. A gift that brings instant: when Marge suggests he has a quick mind to wander facility (comparable to the time of an old chapter in which, influenced by the posters he saw on the street, Homer begins to see his family as circus clowns.)

The Simpsons have always sought, through irony, make social messages. It is not new: in the beginning of the new century, one of the issues most wanted Groening to express passes through our relationship with the environment (as is the only "failure" argument, this line of the plot is suggestively unfinished) . But one message that stands out a lot, sometimes crudely, is the selfishness of man for man. Back Homer: his excessive self-interest threat to the community, his family and finally himself. Chaplin's almost time to mourn the father Simpson, before an inner journey give one of the best audiovisual sequences in the history of the cartoon family. Bart

deserves a special mention. Is the character who, despite the film version look in unusual sensitivity, it achieves the desired effect: to provoke. Bart breaks the mold, it is surprising, advances the tribulations of the family to the absolute limits. Upgrade to The Simpsons and does not disappoint, true to its nature as it always fall off.

What else? A secondary story to the tone of smooth, nostalgic role of Flanders, Marge, in his usual boundary between the break and forgiveness. And the lovable cast of residents of Springfield, who would like to share that would exceed reasonable length of a film that, like a donut , is classic, round and juicy ... but it leaves us wanting a little more.

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Person

Ingmar Bergman died , a guy who knew how to create sensations like these.

Tags: Persona, Ingmar Bergman

Wording For Parents Thank You

Short made with cell phones

Here are some films found in Youtube made with mobile phones or mobile films. In

Change the World, a man accidentally discovered a way to contribute to a better world. Made by Nacho Vigalondo to N_ature Movies, campaign to spread an environmental consciousness.


Humor
black at the funeral of Jack Wild.



Why is it dangerous to take too much sun, in A good reason to wear sunscreen.



Finally, if there is something like class B movies for mobile films, this is one of them.



The vast majority of mobile web found in the films are made with Nokia terminals , who apparently is the corporation that aims to further disseminate and promote this type of production with their phones. Shorter

: Mobile Film Festival

Tags: Mobile films, Nokiashorts

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movie



Happy

day!

Tags: Day friend, Stand by me, Timon and Pumba

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Friends animated tribute to Black Snow and movies Fontanarrosa

Today Roberto Fontanarrosa died, one of our most brilliant artists. Cartoonist great, great writer, I remember the first two embodiments of Hernán Vieytes, director who has based much of his work in the creations of Black.

Yothosawa The Plain , short that remembers those classic documentary "The Adventure of Man", shows the cycle of the food chain from a very particular point of view.



continue with a scene animated with one of the most beloved characters of Black, Boogie oil.



A funny commercial with the presence of the great toilet Pereyra, found on YouTube . Serum Lint Voices (Clemente, Lanky, Dr. Neurus, etc, etc, etc.)



Finally: I could not miss the trailer for Iron , film script and designs which will premiere his "say-so year, and what you see looks like it will be really good.



(And speaking of the lack of promotion and poor attendance of spectators at the national films, if I may a bit of black humor: you could not have picked a better time to go?) Seriously, I think this film going to be a goal.

Thank you for your art, Black.

Tags: Roberto Fontanarrosa , Hernán Vieytes , Yothosawa The Plain , Boogie the oily , toilet Pereyra, Serum Lint, Fierro

Where Can I Watch Super Sentai Online

After the euphoria of effect snow is the New Yorker to feel nostalgia for a moment (On the day of the homeland, precisely). And not as usual, a selection snowy scenes hackneyed imagery suggested by the film from a server. We started with

Groundhog Day , one in which Bill Murray , "Weather Man" was a prisoner of a temporal rift that condemned him to repeat his absurd day over and over again.



In Fargo, a pair of murderers unrefined discussed the possibility of breakfast pancakes. Then, the revelation of a crime difficult to conceal evidence.





"Women, blood and snow, a winning combination," is what you might have thought Tarantino before shooting this scene from Kill Bill .



Or maybe, Quentin has also been seen something of Intimate Confessions of a Chinese Courtesan , Eastern, 1972 movie with liberal doses of violence, humor and lesbianism.





Finally, dark and fantastical beings in the midst of a magical snowfall. If a movie is Tim Burton .





Bonus track: not a film, but it is a classic. The Simpsons and trade "Don Sweeper"

Tags: Snow , Groundhog Day, Fargo , Kill Bill , Intimate Confessions of a Chinese Courtesan , Edward Scissorhands, Nightmare before Christmas , Bill Murray, Steve Buscemi , Peter Stormare , Johnny Deep, Winona Ryder , Quentin Tarantino, Tim Burton , Don Sweeper

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The day it snowed in Buenos Aires

"snow and in the city
everyone wants to rename "Jorge Teillier

San Telmo A view from the shy nevizca who fell today in the port city.

few hours later, at 20:30, in the Parque Lezama saw it. Don Pedro de Mendoza never have imagined.



The videos were taken with a digital camera Olympus Camedia D-395

Technorati Tags: snow in buenos aires

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Two short David Lynch

The first following David Lynch short called Absurd with which opened the 2007 Cannes Film Festival , in its 60 th anniversary, is dedicated to the movie theaters.


Online Videos by Veoh.com

The second is unique it was filmed with the same camera they used, in late 1800, the Lumière brothers .


Online Videos by Veoh.com

The capacity of this type to represent the depths of the terrors and anxieties of our psyche will never cease to amaze me.

Technorati Tags: David Lynch Cannes Lumiere Brothers

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7:35 am

This short, nominated for an Oscar in 2004, is one of my favorites. It difil to classify: funny, dramatic, disturbing and addictive, he managed the miracle that for once I liked a musical.
Directed and starring Nacho Vigalondo English.

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Among the many contradictions that I generated Mel Gibson, the first is to check that your blatant sadism does not alter their ability to make a good movie. His works always pursuing the same narrative logic: a happy reality inhabited by inoffensive breaks sharply in the most cruel, painful and unnecessary, raped by an evil end and overwhelming. This does not seem objectionable in itself, but the gloating and the insistence on emphasizing the contrast between harmony and disaster upon later, and the facility to offer the most heinous and repulsive acts with the greatest detail. Is not the same apart from the pain resulting from an injury that show the wound and also expose it, open it, stir it.

And yet, once assumed the horror caused by the traumatic images, the story of Apocalypto work. Work when so cruelly sadistic turns in dramatic tone, and the story takes interest beyond cheap shots. Charting Jaguar Paw's epic fool trapped by persistent, for his heroic nudity in the middle of the jungle. The plot growing precarious seduces her fate.

characters in a search is realism through unfamiliar faces and purity lengüistica that while it is still pretentious freshness. Also, point the weakness of some implausible situations.

I'm relieved that Apocalypto not intended to be a historical film, full of exaggerations and taken to the end of the post. Is more basic, focusing on a simple and familiar story, but heartbreaking. It is the story of the Mayan Empire, and that seems a wise choice.

short: I have the idea that Apocalypto is a good action movie and drama, despite its director.

Next DVD Teaser of the movie, with better quality and better images than the trailer.

Online Videos by Veoh.com

Tags: Apocalypto, Mel Gibson , Jaguar Paw

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Desync.com Apocalypto: Transmission line and continuous high-resolution films

Going round the Winamp, version 5.33, discovered that besides a web service via radio also has an online TV service, Shoutcast TV. It has several channels, but the most interesting are those of Desync.com, which airs movies and series. No cuts, no ads, one after the other, for free and without registration.

The truth that I know about this possibility, and I was surprised that there is no information about it anywhere, even from Winamp or Desync service itself, in fact if you enter will desync.com to find a mysterious dead page. Seems to be something in the test phase, but it works very well. In my view should be better promoted.

Desync has five channels: two for which only broadcast films, one with a transfer rate of 800 kbps and 500 kbps, plus two channels dedicated to anime and where to transmit a series Stargate. The image quality of the main channel, to drop to 800 kbps, is excellent. As the transmission quality is variable. Sometimes he sees no problem, others with tolerable interruption every two or three minutes, and sometimes the transmission is interrupted so that it becomes unbearable. But usually looks smooth. In terms of sound quality is impeccable, but true to her own name, sometimes-not always-on channels Desync notice a small delay sound. Not for me, but for fans of anime, the quality of the two channels dedicated to this genre is spectacular (with dialogue in its original language and English subtitles) and the channel where they continued the series Stargate is also good. I do not know if you also give other series.

The main channel is selected, are giving The Matrix.
In the last column on the right, is being watched by 167 people.

So far I saw Jurassic Park , Ocean's Eleven, Pirates , Matrix and Swordfish . Not bad. I also saw that there are not so new movies like War Games ochentosísima , and not so widespread as Anchorman: The Legend of Ron Burgundy . But there is one issue: what appears to repeat every day the same schedule, without fixed schedules -Ends a movie and then start another, without a separator, nothing, and with no way of knowing if they ever going to change, add or remove movies. From the Winamp Playlist indicates that it is they are taking at this time, but this information is sometimes outdated.

Finally, although it has a few limitations, I think it's a great way to see movies seriously and with acceptable quality that no doubt has much future, and you can already be experiencing.

Technorati Tags: Desync.com , Winamp , movies online, Jurassic Park, Ocean's Eleven , Pirates of the Caribean , The Matrix, Swordfish , Anchorman: The Legend of Ron Burgundy , Wargames

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The Balance

Everything connects. The image of the post brings me to this short, I found in Veoh : For those who do not know, is an online video service like YouTube , but with some little things that make it superior. Among other things, you can find videos of excellent quality, like this:


Online Videos by Veoh.com

A visual treatment and flawless special effects, but with a aesthetics a little advertising for my taste.

Beyond the short itself, one thing became clear: on the future of the audiovisual production, for me this is what is coming, and with increasing force.

Tags: Weight , Hulk

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Incredible Shrek

I mean Shrek the Third is a unique dung. Bad choice to go to her knowing that I did not like the first and less the second, but hey, that day was a masochist. The film is more conventional, pathetic and boring that I saw in my life.
I think that the only way I could enthuse history be sympathetic with a green ogre twist a little heavy , say, promoted with a poster like this:

Tags: Shrek the Third , Incredible Hulk

Ivolt´s Mandy Arvizu

Fellini offers with Campari

In 1984, Federico Fellini directed an advertisement for Campari aperitif .
I felt absolutely glamorous seventies and with images of wonderful charm.

Tags: Fellini , Campari

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Exit



In the final section of the video, one attendee asked David Lynch:

-Mr. Lynch, I give courses in cinema, one of the courses I teach is director of photography, and one of the things I found of great interest in all his films is the use of light and darkness, especially in the dark. His characters stand on the edge of darkness, entering and emerging from it, and wondered what it means for you, the relationship between light and shadow.

-love seeing people out of darkness.

Tags: David Lynch

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chases darkness The Blues Brothers

Among the best chase scenes in movie history, there are two that will become true classics: those of the Blues Brothers . Aboard the most ruinous of police cars, a Dodge Monaco 1974 model - the brothers are going to get away absolutely all, thanks to the skill-or stupidity, depending on how you look, the wheel of Elwood Blues (Dan Aykroyd).

The first persecution began when Elwood is caught driving with expired license. End up with more than a dozen police cars chasing the brothers in a shopping.



In the second of the persecutions (the most famous and one of the final scenes), the Blues Brothers escape through Chigago, pursued first by the police and then by the Nazis. I do not think there is film production where more smashed cars in it.



Finally, a bonus track with the persecution of shopping recreated in an episode of Family Guy.

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The Fifth Element

is true, the principle of The Fifth Element have that slight feeling a bit inspired scenes The Mummy But then the colors start to saturate to dazzle, with that colorful great comic ever written, satirical and exotic. Bruce mark appears and the tone that made him famous: the hero's revenge forcing ruined. Milla Jovovich is pure animal energy potions with early innocence. At times, everything looks like a bizarre version of Star Wars tack toward excess and decadence, a Third World Wars. In the grotesqueness of the characters is delineating a style of comedy science fiction, footprints that will be tracked by Men In Black (although, paradoxically, and despite the frenzied brightness of your images Film has much more here Black). Finally, the equation is closed. The hero is redeemed discouraged saving the princess and do not know if all of humanity with it, but for a while, something will be worthwhile.

Scene One:

A video for the song "Diva's Destruction" by Michael Tufo, included in the soundtrack. Is made only with scenes from the movie.

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terrifying dream Mulholland Drive as a fly

And speaking of terror, one of the most disturbing scenes I've ever seen in a film that while gender is not have these delicacies typical of David Lynch . We talk about Mulholland Drive and "dream sequence."

Here, an insecure patient (Patrick Fischler ) quoted her psychologist ( Michael Cooke) in "Winkie's", because he wants to talk about something: he had a dream in the same place, and his psychologist was also there. He tells her that he felt very afraid, and I could see a very strange man in the back of the restaurant. He says he hopes not to see that face ever outside a dream. What says the psychologist? "It's all good skinny, we go to the bottom and you will see there is nothing." Je.

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From my mom ate and lived to tell

We go to the other extreme: zero resources, a quite elementary argument y. .. "Terror bizarre or absurd humor? Made by Lucrecia Federico
. Shot and edited in three hours, as we have here .



Anyway, this short is more precarious than there but I loved it. The director is a member of Paura Flics very interesting platense producer specializing in the horror genre.

Paura's official website is www.pauraflics.8k.com .