back on track with Half Naked, a British short film he had seen some months ago and reedescubrí on YouTube.
resolution I liked the whole story with only ideas visually, the short has no dialogue and is voiced with incidental music.
Monday, August 27, 2007
How To Test The Secondary Camera In Nokia E71
back on track with Half Naked, a British short film he had seen some months ago and reedescubrí on YouTube.
resolution I liked the whole story with only ideas visually, the short has no dialogue and is voiced with incidental music.
Wednesday, August 8, 2007
Custom Superman Singlet
Middle Of donuts and environmental disasters
Homer is too stupid: that's the lingering taste not only after seeing the movie of The Simpsons, but the common denominator of the last five or six seasons of the series. But the only thing. Because after all has an original grace and classic at the same time, however brief.
As the dynamics of its versions TV will always give parallel stories, in this sense the film is generous, opening a series of antagonisms that arise small dramas: Man vs. Environment, Father vs. Son, Wife vs. Spouse vs. State. People. And all against Homer. A Homer, again, is listed as the worst kind of idiot product of narcissistic selfishness, without looking that kind of stupidity good that you can install in that sort of creative madness and delirium. A gift that brings instant: when Marge suggests he has a quick mind to wander facility (comparable to the time of an old chapter in which, influenced by the posters he saw on the street, Homer begins to see his family as circus clowns.)
The Simpsons have always sought, through irony, make social messages. It is not new: in the beginning of the new century, one of the issues most wanted Groening to express passes through our relationship with the environment (as is the only "failure" argument, this line of the plot is suggestively unfinished) . But one message that stands out a lot, sometimes crudely, is the selfishness of man for man. Back Homer: his excessive self-interest threat to the community, his family and finally himself. Chaplin's almost time to mourn the father Simpson, before an inner journey give one of the best audiovisual sequences in the history of the cartoon family. Bart
deserves a special mention. Is the character who, despite the film version look in unusual sensitivity, it achieves the desired effect: to provoke. Bart breaks the mold, it is surprising, advances the tribulations of the family to the absolute limits. Upgrade to The Simpsons and does not disappoint, true to its nature as it always fall off.
What else? A secondary story to the tone of smooth, nostalgic role of Flanders, Marge, in his usual boundary between the break and forgiveness. And the lovable cast of residents of Springfield, who would like to share that would exceed reasonable length of a film that, like a donut , is classic, round and juicy ... but it leaves us wanting a little more. 
Homer is too stupid: that's the lingering taste not only after seeing the movie of The Simpsons, but the common denominator of the last five or six seasons of the series. But the only thing. Because after all has an original grace and classic at the same time, however brief.
As the dynamics of its versions TV will always give parallel stories, in this sense the film is generous, opening a series of antagonisms that arise small dramas: Man vs. Environment, Father vs. Son, Wife vs. Spouse vs. State. People. And all against Homer. A Homer, again, is listed as the worst kind of idiot product of narcissistic selfishness, without looking that kind of stupidity good that you can install in that sort of creative madness and delirium. A gift that brings instant: when Marge suggests he has a quick mind to wander facility (comparable to the time of an old chapter in which, influenced by the posters he saw on the street, Homer begins to see his family as circus clowns.)
The Simpsons have always sought, through irony, make social messages. It is not new: in the beginning of the new century, one of the issues most wanted Groening to express passes through our relationship with the environment (as is the only "failure" argument, this line of the plot is suggestively unfinished) . But one message that stands out a lot, sometimes crudely, is the selfishness of man for man. Back Homer: his excessive self-interest threat to the community, his family and finally himself. Chaplin's almost time to mourn the father Simpson, before an inner journey give one of the best audiovisual sequences in the history of the cartoon family. Bart
deserves a special mention. Is the character who, despite the film version look in unusual sensitivity, it achieves the desired effect: to provoke. Bart breaks the mold, it is surprising, advances the tribulations of the family to the absolute limits. Upgrade to The Simpsons and does not disappoint, true to its nature as it always fall off.
What else? A secondary story to the tone of smooth, nostalgic role of Flanders, Marge, in his usual boundary between the break and forgiveness. And the lovable cast of residents of Springfield, who would like to share that would exceed reasonable length of a film that, like a donut , is classic, round and juicy ... but it leaves us wanting a little more.
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